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[{"title":"Accessible Poland: Redesigning Trains, Museums \u0026 Cities for the Disabled","path":"\/en\/article\/accessible-poland-redesigning-trains-museums-cities-for-the-disabled","type":"article","field_introduction":"Over the last few years, public spaces, including museums, but also stations and city centres all across Poland have been gradually implementing new solutions to transform them into more welcoming places for people with a range of disabilities. With the country continuing to make strides in its drive towards accessibility, Culture.pl takes a look at some of the changes.","field_summary":"Over the last few years, public spaces, including museums, but also stations and city centres all across Poland have been gradually implementing new solutions to transform them into more welcoming places for people with a range of disabilities. With the country continuing to make strides in its drive towards accessibility, Culture.pl takes a look at some of the changes.","topics_data":[{"tid":"59624","name":"#heritage","path":{"alias":"\/topics\/heritage","langcode":"en"}},{"tid":"59604","name":"#architecture","path":{"alias":"\/topic\/architecture","langcode":"en"}}],"image_cover":"338529","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"A woman in a motorized wheelchair and an orange jacket posing next to a red tram featuring a large portrait of a man in a blue suit.","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Why Magdalena Abakanowicz Refused to Be Decorative","path":"\/en\/article\/why-magdalena-abakanowicz-refused-to-be-decorative","type":"article","field_introduction":"Why did Magdalena Abakanowicz decide to distance herself from textile art? And could a\u0026nbsp;woman born before the Second World War, who was making a name for herself in the art world, really afford to be associated with any kind of \u2018softness\u2019?","field_summary":"Magdalena Abakanowicz became internationally famous through textiles, yet spent much of her career resisting the labels of weaver, woman artist and decorator. This article explores how she transformed herself into a sculptor, distanced herself from \u2018softness\u2019 and carefully shaped her own myth \u2013 revealing the pressures, contradictions and ambitions behind one of Poland\u2019s most powerful artistic careers.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}}],"image_cover":"334485","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"View from the exhibition \u2018Every Tangle of Thread and Rope\u2019 by Magdalena Abakanowicz, 2023, Tate Modern, London, photo: Aaron Chown\/PA Images\/Forum","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Wild Kingdom: The Animals of King Sigismund Augustus\u2019s Tapestries","path":"\/en\/article\/wild-kingdom-the-animals-of-king-sigismund-augustuss-tapestries","type":"article","field_introduction":"In 16th-century Europe, humanism, the opening up of new geographical horizons, the conquest of distant lands, a belief in the power of reason, and the self-awareness and dignity of the individual shaped the Renaissance people\u2019s attitude towards the world. This world appeared as a realm of boundless possibilities and great discoveries, including in the natural world, which surrounded a man as if at his fingertips, yet remained full of mysteries. Scholars and artists set out to explore these mysteries, in a sense, shoulder to shoulder.","field_summary":"Wawel\u2019s animal tapestries are far more than royal decoration. Woven in 16th-century Brussels for King Sigismund Augustus, these extraordinary verdures form one of Renaissance Europe\u2019s most ambitious visions of nature: part zoological atlas, part moral theatre, part enchanted forest. Filled with otters, leopards, boars, dragons, monkeys, exotic birds and symbolic beasts, they reveal a world in which science, myth, faith and power were still deeply intertwined.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}},{"tid":"59624","name":"#heritage","path":{"alias":"\/topics\/heritage","langcode":"en"}}],"image_cover":"313192","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Verdure \u2018The Fight of a Dragon with a Panther\u2019, (inv. No. 38), collection of the Wawel Royal Castle, photo: Tomasz \u015aliwi\u0144ski","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"I\u2019m Coming for Your Country! Polish Migrant Characters in Recent British Fiction","path":"\/en\/article\/im-coming-for-your-country-polish-migrant-characters-in-recent-british-fiction","type":"article","field_introduction":"Polish migrants have been arriving in Britain for centuries, and British writers have been imagining them almost as long. But the post-2004 wave produced something new: literary portraits of Polish men navigating an England that can\u2019t quite decide whether to welcome them or resent them.","field_summary":"Polish migrants have been arriving in Britain for centuries, and British writers have been imagining them almost as long. But the post-2004 wave produced something new: literary portraits of Polish men navigating an England that can\u2019t quite decide whether to welcome them or resent them.","topics_data":[{"tid":"59606","name":"#film","path":{"alias":"\/topic\/film","langcode":"en"}},{"tid":"59605","name":"#performing arts","path":{"alias":"\/topic\/performing-arts","langcode":"en"}}],"image_cover":"340208","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"A young bearded man and an older woman in a scarf stand in the dark with a torch, looking down at something just off-camera","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Selected Works by Zuza Goli\u0144ska \u2013 Image Gallery","path":"\/en\/gallery\/selected-works-by-zuza-golinska-image-gallery","type":"gallery","field_introduction":"","field_summary":"Zuza Goli\u0144ska is a sculptor, performance artist and installation artist. She is a graduate of the Academy of Fine Arts in Warsaw, where she studied in the Spatial Arts Studio under the supervision of Miros\u0142aw Ba\u0142ka. In her work, she explores the psychology of space and the influence of architecture and the public sphere on the individual in the era of late capitalism. Goli\u0144ska creates objects in which the distinction between aesthetic and functional form is blurred. She often uses recycled post-industrial materials in the production of her works.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}}],"image_cover":"328066","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"12","field_duration":"","field_cover_img_caption":"\u0027Dead End\u0027 by Zuza Goli\u0144ska, Delfina Foundation, photo: Tim Bowditch","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Aleksandra Waliszewska at the Benaki Museum in Athens \u2013 Image Gallery","path":"\/en\/gallery\/aleksandra-waliszewska-at-the-benaki-museum-in-athens-image-gallery","type":"gallery","field_introduction":"","field_summary":"Unfolding across two floors of the Benaki Museum, fifteen of Waliszewska\u2019s paintings are placed in charged iconographic tension with objects spanning Neolithic Greece, Classical Antiquity, the Byzantine world, and the modern Greek era. The exhibition pays homage to Greece as the birthplace of figurative, narrative art and as a foundation of Western visual culture \u2013 while also tracing its enduring presence in the visual imagination today. Waliszewska\u2019s intense psychological tableaux manifest moments of \u201cirruption\u201d: the sudden, forceful entry of ancient visual tropes into the present.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}}],"image_cover":"340116","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"20","field_duration":"","field_cover_img_caption":"The \u0027Irruption of Antiquity\u0027 exhibition by Aleksandra Waliszewska at the Benaki Museum in Athens, photo: Weronika Pawlak \/ IAM","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Lessons in Humanity: How Britain Watched Andrzej Wajda","path":"\/en\/article\/lessons-in-humanity-how-britain-watched-andrzej-wajda","type":"article","field_introduction":"Andrzej Wajda arrived in Britain as a revelation. From Lindsay Anderson\u2019s early championing of his \u2018human\u2019 war films to later visions of him as a moral voice of Solidarity-era Poland, British critics repeatedly cast Wajda as a filmmaker who had something to teach them \u2013 even as their view remained partial, selective and shaped by ideas of what a \u2018Polish\u2019 director should be.","field_summary":"Andrzej Wajda arrived in Britain as a revelation. From Lindsay Anderson\u2019s early championing of his \u2018human\u2019 war films to later visions of him as a moral voice of Solidarity-era Poland, British critics repeatedly cast Wajda as a filmmaker who had something to teach them \u2013 even as their view remained partial, selective and shaped by ideas of what a \u2018Polish\u2019 director should be.","topics_data":[{"tid":"59606","name":"#film","path":{"alias":"\/topic\/film","langcode":"en"}}],"image_cover":"339708","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Andrzej Wajda \u0026 John Gielgud chatting on the set of \u0027The Orchestra Conductor\u0027, 1979, photo: Jerzy Ko\u015bnik \/ Forum","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Photography Is Not the Point: An Interview with Rafa\u0142 Milach","path":"\/en\/article\/photography-is-not-the-point-an-interview-with-rafal-milach","type":"article","field_introduction":"A young woman raps about Lukashenko\u2019s production plans, wins a presidential pen \u2013 then turns up on the protest barricades eight years later. For Magnum photographer Rafa\u0142 Milach, that about-turn unlocked something he\u2019d been circling for 15 years.","field_summary":"A young woman raps about Lukashenko\u2019s production plans, wins a presidential pen \u2013 then turns up on the protest barricades eight years later. For Magnum photographer Rafa\u0142 Milach, that about-turn unlocked something he\u2019d been circling for 15 years.","topics_data":[{"tid":"59611","name":"#photography","path":{"alias":"\/topic\/photography","langcode":"en"}}],"image_cover":"339998","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"\u2018Ksenia\u2019 by Rafa\u0142 Milach, from the series \u2018The Winners\u2019, photo: courtesy of the artist","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"How to Sell the Avant-Garde: Poland\u2019s Modernist Advertising Experiment","path":"\/en\/article\/how-to-sell-the-avant-garde-polands-modernist-advertising-experiment","type":"article","field_introduction":"Within the constructivist avant-garde movement, advertising was regarded as a bridge between art and the mass audience. Two poets and a painter decided to put this into practice. Rather than merely discussing advertising in the pages of avant-garde magazines, they set up an agency that combined modernism with marketing.","field_summary":"What happens when two poets and a painter decide that the avant-garde should not stay in galleries, but enter the world of chocolate wrappers, slogans and mass persuasion? This piece tells the strange, witty and short-lived story of Biuro Reklama-Mechano \u2013 the Polish modernist advertising agency that produced almost no campaigns, yet still secured a place in the history of graphic design.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}},{"tid":"59609","name":"#language \u0026 literature","path":{"alias":"\/topic\/language-literature","langcode":"en"}}],"image_cover":"336254","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Tadeusz Lucjan Gronowski, \u2018Radion Washes on Its Own\u2019, 1926, poster, photo: Poster Museum in Wilan\u00f3w, a branch of the National Museum in Warsaw.","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Irruption of Antiquity: The Benaki Museum \u0027Haunting\u0027 with Aleksandra Waliszewska","path":"\/en\/article\/irruption-of-antiquity-the-benaki-museum-haunting-with-aleksandra-waliszewska","type":"article","field_introduction":"\u0027Historical discourse is never \u201cborn.\u201d It always recommences. And let us observe this: art history the discipline which goes by that name \u2013 recommences each time.\u0027 \u2013 Georges Didi-Huberman","field_summary":"\u0027Historical discourse is never \u201cborn.\u201d It always recommences. And let us observe this: art history the discipline which goes by that name \u2013 recommences each time.\u0027 \u2013 Georges Didi-Huberman","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}},{"tid":"59637","name":"#visual arts","path":{"alias":"\/topic\/visual-arts","langcode":"en"}}],"image_cover":"339700","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Painting from the exhibition \u0027Irruption of Antiquity: Aleksandra Waliszewska\u0027 at the Benaki Museum, Athens, photo: press materials","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Why Billy Wilder Wanted to Make \u2018Schindler\u2019s List\u2019","path":"\/en\/article\/why-billy-wilder-wanted-to-make-schindlers-list","type":"article","field_introduction":"Billy Wilder\u2019s career boasts some of the most celebrated films of the 20th century, which inspired directors as diverse as Lynch, Tarantino, Anderson, and Scorsese. However, his bid to make \u0027Schindler\u2019s List\u0027, a film ultimately directed by Steven Spielberg, remains a lesser-known yet revealing chapter from the twilight of his career.","field_summary":"Billy Wilder\u2019s career boasts some of the most celebrated films of the 20th century, which inspired directors as diverse as Lynch, Tarantino, Anderson, and Scorsese. However, his bid to make Schindler\u2019s List, a film ultimately directed by Steven Spielberg, remains a lesser-known yet revealing chapter from the twilight of his career.","topics_data":[{"tid":"59606","name":"#film","path":{"alias":"\/topic\/film","langcode":"en"}},{"tid":"59624","name":"#heritage","path":{"alias":"\/topics\/heritage","langcode":"en"}}],"image_cover":"340310","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Billy Wilder","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"From a Krak\u00f3w Hotel to the King of Hollywood: Billy Wilder\u2019s Little-Known Polish Past","path":"\/en\/article\/from-a-krakow-hotel-to-the-king-of-hollywood-billy-wilders-little-known-polish-past","type":"article","field_introduction":"Billy Wilder\u2019s much-loved comedy \u2018Some Like It Hot\u2019 stars Marilyn Monroe as Sugar Kowalczyk, a Polish-American singer who gets drawn into a series of madcap adventures set at a Miami hotel. This location was no coincidence! Discover why Wilder knew all about the inner workings of hotels and, while we\u2019re at it, all about his little-known Polish past.","field_summary":"Billy Wilder\u2019s much-loved comedy \u2018Some Like It Hot\u2019 stars Marilyn Monroe as Sugar Kowalczyk, a Polish-American singer who gets drawn into a series of madcap adventures set at a Miami hotel. This location was no coincidence! Discover why Wilder knew all about the inner workings of hotels and, while we\u2019re at it, all about his little-known Polish past.","topics_data":[{"tid":"59606","name":"#film","path":{"alias":"\/topic\/film","langcode":"en"}},{"tid":"59624","name":"#heritage","path":{"alias":"\/topics\/heritage","langcode":"en"}}],"image_cover":"340315","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Director Billy Wilder and actress Marilyn Monroe during the filming of the 1959 movie \u0027Some Like It Hot\u0027","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Stars Are Born: A History of the Michelin Guide in Poland","path":"\/en\/article\/stars-are-born-a-history-of-the-michelin-guide-in-poland","type":"article","field_introduction":"The year was 2013, and Poland was quickly learning all about foams, powders, dehydration and sous-vide. A new interest in food was evident: bookstore shelves were quickly filling up with cookbooks and magazines such as \u0027Smak\u0027, \u0027Usta\u0027 and \u0027Kukbuk\u0027, first seasons of television shows such as \u0027MasterChef\u0027 and \u0027Top Chef\u0027 were on air and a new category of celebrity chefs was being forged.\u0026nbsp;","field_summary":"The year was 2013, and Poland was quickly learning all about foams, powders, dehydration and sous-vide. A new interest in food was evident: bookstore shelves were quickly filling up with cookbooks and magazines such as \u0027Smak\u0027, \u0027Usta\u0027 and \u0027Kukbuk\u0027, first seasons of television shows such as \u0027MasterChef\u0027 and \u0027Top Chef\u0027 were on air and a new category of celebrity chefs was being forged.\u0026nbsp;","topics_data":[{"tid":"59620","name":"#polish cuisine","path":{"alias":"\/topic\/polish-cuisine","langcode":"en"}}],"image_cover":"340286","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"BABA Restuarant and chef Beata \u015aniechowska","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Enter the WAJDA RE\/FRAME Competition: Remixing Wajda for a New Generation","path":"\/en\/article\/enter-the-wajda-reframe-competition-remixing-wajda-for-a-new-generation","type":"article","field_introduction":"What does Wajda look like in 2026? A new international competition is handing his films over to emerging creators, challenging them to cut, remix, and reinterpret one of Polish cinema\u2019s most iconic voices. Enter by 30 June 2026.","field_summary":"What does Wajda look like in 2026? A new international competition is handing his films over to emerging creators, challenging them to cut, remix, and reinterpret one of Polish cinema\u2019s most iconic voices. Enter by 30 June 2026.","topics_data":[{"tid":"59606","name":"#film","path":{"alias":"\/topic\/film","langcode":"en"}},{"tid":"59625","name":"#lifestyle \u0026 opinion","path":{"alias":"\/topic\/lifestyle-opinion","langcode":"en"}}],"image_cover":"340371","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"A young Andrzej Wajda with a movie camera","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Filming the Unfilmable: The Directors Who Took on Witold Gombrowicz","path":"\/en\/article\/filming-the-unfilmable-the-directors-who-took-on-witold-gombrowicz","type":"article","field_introduction":"Jerzy Skolimowski walked away from a million-dollar Hollywood payday only to produce a failure so total it drove him out of cinema for 17 years. He isn\u2019t the only one. From hauling 50kg rocks into gardens to career-ending \u2018nemeses\u2019, Poland\u2019s greatest directors have risked everything to film the lauded works of Witold Gombrowicz, an author everyone says is unfilmable.","field_summary":"Witold Gombrowicz is often described as impossible to adapt: too philosophical, too grotesque, too dependent on language and thought. And yet, some of Poland\u2019s greatest directors \u2013 Jerzy Skolimowski, Jan Jakub Kolski and Andrzej \u017bu\u0142awski \u2013 risked their careers, reputations and artistic sanity trying to bring his strange, brilliant worlds to the screen.","topics_data":[{"tid":"59606","name":"#film","path":{"alias":"\/topic\/film","langcode":"en"}},{"tid":"59609","name":"#language \u0026 literature","path":{"alias":"\/topic\/language-literature","langcode":"en"}}],"image_cover":"213984","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Still from Andrzej \u017bu\u0142awski\u2019s \u2018Kosmos\u2019, photo: Alfama Films \/ press materials","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""}]
