Dąbrowski meticulously curated a remarkable ensemble for this project, aptly named "Tomasz Dąbrowski and the Individual Beings." Notably, the ensemble features Norwegian drummer Knut Finsrud, and beneath the surface, one can discern the hidden gem of their genuine friendship, forged while both residing in the tranquil Swedish town of Malmo.
Knut's deep appreciation for Tomasz's composing prowess harmonizes seamlessly with Tomasz's admiration for Knut's childlike and insatiable curiosity when it comes to music—an organic connection that envisions them effortlessly riffing alongside one another.
In their conversations, a subtle spirituality permeates their words, resonating with the very essence of the music we hear in "JR." This poignant composition emerged after the birth of Dąbrowski's son in 2020, serving as a heartfelt dedication to this newfound joy in his life. This profoundly human motivation adds a unique depth to the album, complemented by the use of one of Stanko's own trumpets, generously loaned to Dąbrowski by Stanko's daughter—an emblematic connection to the ever-evolving legacy of Polish jazz musicians.