By referring to the tradition of artists' self-publishing, Sasnal refreshes the art book genre, both in terms of form and content. He substitutes the conceptual and documentary principles dominant in art photobooks with an intimate narrative infused with eroticism and told in heavily manipulated photographs. Instead of a grand topic, he gives an account of a low-key situation orchestrated by the artist.
The contents of the book, narrated by tight-framed, full-bleed images, could be reduced to three keywords: girls, cars, and sex. The layout of the photographs departs from a photographic typology and refers rather to the tradition of flip books. In other words, the book's story has a clear goal: to undress (and photograph) a girl inside of a car. The atmosphere of Sasnal's photographs references the poetics of 90s MTV, important for the generation born in the 70s, however, the book is appealing through its intimate, private character, which is also completely free of erotic glamour. When photographing girls, Sasnal doesn't show their faces, but focuses on fragments of their bodies. In this way, he emphasizes the intimate and immediate character of the contact, as well as adds an aura of mystery to the whole. Even though the identities of the models were obliterated, it is actually a known fact that the women who posed for him weren't professional models, but, characteristically for Sasnal's practice, his wife, friends, and acquaintances, whom he personally encouraged to take part in photo shoots inside of cars.