Her cinema grows out of her opposition to reality. She takes her camera into places that we would rather forget about: she visits Silesian housing estates inhabited by family of alcoholics, she accompanies a sick twelve-year-old boy who despite his handicap is the one making the money for his parents, she shows drug addicted twins and attempts to present both sides of the story which links the paedophile with his victim. She cannot be satisfied with one sided stories, she has to look under the carpet and searches for fissures.