At a first sight, it is a post-catastrophic vision of the world, however the curators also asked if that was not in fact the plausible course of events. They wondered:
What will happen with the Warsaw University Library when all books are digitised? What should we do with the two hundred metre tall skyscraper or Norman Foster's Metropolitan office building when the speculative housing market crashes or the model of office work changes? What will happen with an airport terminal when, due to the increase in the cost of oil, flying will again become a luxury? What will become of the Licheń Basilica when Poles stop going to church?
These questions were followed by another one, much more important than the fantastic visions: how should we, then, design the buildings of the future?
The exhibition was extremely successful, as it was awarded the Golden Lion at the Biennale. When it was presented one year later at the Zachęta gallery in Warsaw, the curators transformed the exhibition rooms into a disco venue (Disco Zachęta).
Later on, Laksa moved on to create performance pieces. At the festival Artboom 2010 in Kraków, he created a mobile sculpture titles LikeKonik. It was his own version of the Kraków's Lajkonik which occasionally appeared at the Old Market Square. However his outfit differed from the image of a traditional Lajkonik – dressed entirely in black leather and latex, with a mask on his face, and a leather pelt in his hand, he resembled a BDSM Lajkonik, a frequenter of dark clubs, lost in the city streets. The artist wanted to refresh the story behind this local tradition. Initially, this festivity was so dangerous that the officials banned it. It wasn't until Stanisław Wyspiański designed Lajkonik's costume that this custom made its return, although in a non-brutal model.
In Summer of 2010, Kobas Laksa also staged a performance in Spycimierz (Spycifestum), a small village in the Łódź region, which has preserved its tradition of flower bed compositions for Corpus Christi. A procession walks over a two kilometre decoration made out of flowers, shrubs, leaves, and pebbles, destroying it. After a few days, it is cleaned up. During the 2010 Corpus Christi celebrations, Laksa was involved in the work on the flower bed, by including in it the text: “Lord, save us, we are perishing.” It is a quotation from the Gospel of Matthew, which has often been brought up in Poland whenever its national upsurges failed.