They realize their projects in various forms, such as visual shows, audiovisual performances, interactive installations, large format multimedia projections, including mapping and scenographic projections in theatre and opera performances (National Stary Theater, Kraków Opera). They frequently design their own technological configurations, including coding and programming.
The works of Elektro Moon Vision have been presented in Salon Projektionist gallery and MuseumsQuartier in Vienna, Akarenga Soko galley in Yokohama, Japan, and at WRO Media Art Biennale in 2011 and 2015, among others. Their art has also been shown during crucial international festivals presenting innovatory visual art. Elektro Moon Vision have won the MuseumsQuartier scholarship (Electric Avenue) in Vienna, first prize in the CHOPing competition organized by
Zachęta – National Gallery of Art and Warsaw Electronic Festival, and first prize at the ArtMuse festival in Bocholt, Germany.
Elektro Moon Vision are the founders of Share:Krakow, an open platform associating new media artists. Since 2012, they’ve curated and organized the - PATCHlab international digital art festival.
They cooperate with Jan Matejko Academy of Fine Arts in Kraków, Belkinge Institute of Technology in Karlskrone, Sweden, Bunkier Sztuki gallery in Kraków, Kraków Festival Office, National Stary Theater in Kraków, Kraków Opera, Jewish Culture Festival in Kraków, Alvernia Studios, Polish Institute in Vienna, Budapest and Berlin, and Collegium Hungaricum in Berlin, among others.
REC - Random Eye Check
— interactive installation
This interactive installation raises the subject of the contemporary condition of post-digital culture, which is on the one hand swarmed with incomprehensible amount of digital data (including information, photographs and videos), and on the other tantamount to incessant monitoring of the movements of people and controlling internet users. It seems that today’s society is ready to accept many forms of supervision, especially those which make the impression of offering comfort or benefits (for example, a sense of security) instead of limitations. We are forced to accept the fact that data about our life is collected using virtual methods more and more often, regardless of whether we like it or not. The installation was chosen in the selection of the Slovak Center of Visual Arts Kunsthalle in Bratislava in 2014. It was presented in Verona during the Risuona festival and in Wrocław during the WRO Media Art Biennale (2015).
Design, realization, programming: Popesz Csaba Láng, Elwira Wojtunik [Elektro Moon Vision]
Curator: Krzysztof Siatka, Nina Herbatox
Video: https://vimeo.com/115179018
Re-Kreacja
— interactive installation, mapping
The distinctive facade structure of the Bunkier Sztuki art gallery designed by Antoni Hajdecki in 1965 is prominent because of its unplaned wood shoring. The building is one of the epitomes of the brutalist tendency in Polish architecture in the second half of the 20th century. This construction was subjected to an artistic intervention in the Re-Kreacja installation. The expressionist facade structure, or rather its multimedia representation, was ‘moved’ to the white Modernist interior of the building. The organic and dynamic element of the elevation is set against the sophisticated, functional interior.
Using the technology of interactive mapping, Elwira Wojtunik and Popesz Csaba Láng created an audiovisual show in which familiar concrete forms undergo reconfiguration and become a complicated mechanism. The installation reveals particular elements of the mapping in response to the viewer’s presence, which emphasizes that a building is a living structure constantly reinterpreted and defined by its users.
Design, realization, programming: Popesz Csaba Láng, Elwira Wojtunik [Elektro Moon Vision]
Curator: Anna Lebenstein
Re-Kreacja project is located in the collection of Bunkier Sztuki gallery.
Video: https://vimeo.com/87604435
Barbarum Fretum
— immersive interactive installation
This installation reacts to human presence by creating the illusion of filling the space up with rippling sea water, leading to the impression of being immersed in the depths of a sea. During this tranquil and hypnotic ‘journey’ the user discovers chosen information on the history and geology of the Baltic Sea. Barbarum Fretum transports the user to other cities – through sights resembling telescopes, landscapes of the Baltic shores can be watched in real-time.
Design, realization, programming: Popesz Csaba Láng, Elwira Wojtunik [Elektro Moon Vision]
Architectural design: Magdalena Pińczyńska
Curator: Torun Ekstrand
The installation was realized as a part of the EU’s flagship project ArtLine SouthBatlic. It was presented in May 2013 during ArtLine International Digital Art Festival in Blekinge Museum in Karlskone, Sweden. Event: artline-southbaltic.eu/event/four-installations-part-of-digital-art-festival/
Video: https://vimeo.com/70237432