The most famous artist from this region was Felicja Curyłowa. She was born in 1905 and spent her entire life in her home village. She made her first painting at 10 years old. The girl took advantage of the absence of her parents, who had gone to the market in Tarnów, and painted the ceiling. As the legend goes, her father severely scolded Felicja, but this didn’t stop her. She continued to draw, turning her passion into a way of life. Even during the Communist regime in Poland, Curyłowa became a living icon of folk art, the press called her ‘the first lady of the Polish village’.
At the end of the 1940s, excursions began to come to Zalipie, and Curyłowa and other masters were regularly invited to collaborate. Women came up with patterns for products for the Włocławek ceramics factory, painted the walls of cafes and restaurants, and even designed one of the halls at the Ethongraphical Museum. The decision for what and where to paint was made by Pani Felicja. She was decisive, confident, and fearless. Once in Szczecin at the party congress, she addressed the head of the Communist regime in Poland, Józef Cyrankiewicz:
We’re in the dark. We can’t see what we are drawing. I will not leave until you promise to give us electricity.
Trans. KA
Thanks to this speech, light came to Zalipie 10 years earlier than to its neighbouring villages. When the Minister of Culture was planning a visit to the village, Curyłowa proposed to her husband that he go meet him in the city. At Felicja’s insistence, the artist’s husband took the minister back to Zalipie in a run-down wagon over the worst roads. Soon after the trip, the authorities saw that the village would be paved with asphalt.