The fate of Andrzej Żuławski’s film was full of drama and, for a long time, it seemed that On the Silver Globe would not be completed at all. The project was particularly important for the director because it was supposed to be an open adaptation of The Lunar Trilogy written by Jerzy Żuławski, the artist’s great-grandfather, between 1903 and 1911. When the authorities unexpectedly allowed the film to be made, the artist returned to Poland after several years of forced emigration in France.
Żuławski maintained that On the Silver Globe was created under poor conditions. Despite this, the production was on a big scale and the film was shot on the beaches of Łeba, in Wieliczka salt mine, and the Gobi desert among other places. Although the budget did not allow for the use of special effects, costume and stage designers showed great inventiveness in creating a futuristic universe.
Unfortunately, due to a decision by Deputy Minister of Culture Janusz Wilhelmi, the project was suddenly interrupted in 1977. Wilhelmi most probably did not like the message of the film, although fear of the commercial failure of an unconventional adaptation may have also been an important factor. The director received modest funds to finish the production only in the mid-1980s. The film was then supplemented with scenes in which the artist, from outside the frame, on a background depicting Warsaw of the time, summarises fragments which were never produced.
On the Silver Globe focuses on the theme of establishing a new civilisation. The film starts with a scene where two men find a record of an expedition to a foreign planet. The first part of the story presents a video diary made by the participants of the expedition and their descendants. In the recording, four astronauts arrive on the planet to create a new, better society in an environment resembling Earth. Stuck with each other, the isolated heroes quickly begin to doubt the mission and tensions and quarrels surface within the group.
The astronauts give birth to a new civilisation, but, from generation to generation, the population becomes more and more savage. When, many years later, Marek (Andrzej Seweryn) arrives at the site, he sees people enslaved by Szerns – bird-like creatures native to the planet. Marek is given the role of a mythical saviour who will save the oppressed population. However, will he really give people freedom?s