She is interested in the experimental genre and novel forms, and she also consequently uses them to develop her apparatus and conceptual tools. In 2011, in cooperation with Klub Żak in Gdańsk, she gave a solo performance titled Skin Deep. Among her individual projects, there is also DANCE, PILGRIM, DANCE produced in 2017 by Art Stations Foundation – she presented it at Berlin’s Performing Arts Festival among other events. DANCE, PILGRIM, DANCE was an attempt to recount some less-known elements from the history of modern dance: Isadora Duncan’s biography and her connections to the legacy of Marxism. In her project, Wolińska attempted to reconstruct one choreography from the dance icon’s repertoire.
In 2013, she initiated the enigmatic project titled Hi Mary which consists of a series of performances: Hi Mary: the Lady who Sees Angels Documentary Monster, Hi Mary, Take Me to Church and others. The artist developed these concepts with a creative exploration of the solo model of work in mind. Wolińska presented subsequent episodes of the project worldwide, including in Berlin, Gdańsk, Kalisz, New York, and Copenhagen.