Tomaszewski received a number of art prizes and honours in various countries, including five first awards at the 1948 International Film Poster Exhibition in Vienna. His cartoons were printed in various literary reviews, including Przegląd Kulturalny and Literatura. His drawings were published in the volume, Książka zażaleń (A Book of Complaints, 1961). He designed a number of books and exhibitions, and was a member of many international art societies, including the prestigious Alliance Graphique Internationale (AGI). The Royal Society of Arts in London conferred upon him the award 'Honorary Royal Designer for Industry' in 1976.
Tomaszewski, whose debut took place in the second half of the 1930s, brought to the Polish poster the vigour of youth, a freedom in shaping the picture, and a rich imagination. His technique was close to painting. His works, first noticed at the 1939 World Exhibition in New York, used colour spots and synthetic drawing. After World War II, he embarked upon a provocative play with the viewer's imagination, using sophisticated poetic devices and a minimalist form. His superbly designed graphic signs, letters, symbols and metaphors made expressive and apt comments on theatre and opera performances, exhibitions, concerts and other cultural events. He used mental shortcuts and exquisitely synthesised ideas in the form of graphic or painted signs to convey succinct yet sophisticated messages in posters, illustrations and book covers. His works are unique for their simplicity, intellectual precision, extraordinary sense of humour and easy, laconic drawing. They convey general and profound truths by commenting on events that would otherwise have gone unnoticed, and their allusions and understatements invite a creative reception.
Many of Tomaszewski's works have become world poster classics, such as the theatre posters Król Edyp (Oedipus The King, 1961), Hamlet (1962), Hadrian VII (1969), Witkacy (1972), De la marionnette (1978), Amadeusz (Amadeus, 1981), Historia (A Story, 1983), Manekiny (Mannequins, 1985), Edward II (1986); the film posters Symfonia pastoralna (Symphonie pastorale, 1947), Obywatel Kane (Citizen Kane, 1948), Rewizor (The Inspector General, 1953), and the exhibition posters Moore (1959), Wzornictwo przemysłowe Wielkiej Brytanii (Industrial Design of The United Kingdom, 1963), Teresa Pągowska (1986), Henryk Tomaszewski - Love (1991).
Author: Jerzy Brukwicki, June 2004, updated: September 2010