Wrocław’s Centennial Hall is the only site in Poland to be found on the list of ten Keeping It Modern architectural restoration projects. A tour de force of structural engineering, the Centennial Hall was designed by German architect Max Berg in 1911 to celebrate the 100th anniversary of Napoleon’s defeat at the Battle of Leipzig. When Centennial Hall was completed in 1913, it was the largest reinforced concrete structure in the world and featured the biggest free-standing dome ever built. Widely recognized as one of the most important examples of early 20th century architecture, this UNESCO World Heritage site remains a popular venue for major conferences and cultural events. A Getty Foundation grant will allow the city of Wrocław to develop a conservation management plan to ensure the building’s long-term care and future maintenance. The project includes archival research, detailed studies of interior surfaces and finishes, and extensive testing of the concrete’s condition and structural steel support, as well as 3D scanning and computer modelling to assess the building’s structural performance.
The other works in the project are also true icons of modernism: the Sydney Opera House by Jørn Utzon, The Miami Marine Stadium by Hilario Candela, Salk Institute in La Jolla, California by Louis Kahn, the Paimio Alvara Aalto Sanatorium, Frank Lloyd Wright’s Robie House (located on the University of Chicago campus), The Eames House in Los Angeles by Ray and Charles Eames, the Henry Luce Memorial Chapel by I.M. Pei (within the Tunghai University Campus in Taichung, Taiwan), and the Max Liebling House in Tel Aviv’s White City, designed by Dov Karmi, as well as the apartment and studio of Le Corbusier in Paris.
The Polish team of conservation workers, under the direction of Jerzy Ilkosz, PhD, applied for the grant, and presented a carefully prepared conservation management plan. The team describe the plan as expressing "a contemporary approach to managing a national heritage site, thus far unknown in Poland".
Author: Anna Cymer, October, 2014, translated with edits by Paulina Schlosser