The Catholic Enlightenment
The peculiar character of the Polish Enlightenment undoubtedly stems from the fact that it became, as Maurycy Mochnacki wrote in the 19th century, ‘a third-hand gift’.
This exaggeration was meant to suggest that during the reign of Stanisław August Poniatowski, Polish art was a copy of a copy: the literature of ancient Greece was copied by the Romans who, in turn, were imitated by the French – and French literature was replicated by the Polish writers of the Enlightenment. This unfair reckoning – originating from the assumption that France constituted the cultural centre of the European Enlightenment – is far from what contemporary research on the 18th century has established.
Nowadays, researchers reach for the concept of cultural specificity with regard to historical cultures sometimes described as peripheral (in the positive meaning of the word only). Thanks to their peculiar circumstances, peripheral cultures can generate larger cultural and literary diversity that eludes artificial theoretical labels while at the same time remaining within the major cultural centres’ sphere of influence. Such uniqueness characterises the culture of the Polish Enlightenment, one of whose most significant determinants was the phenomenon of the Catholic Enlightenment.
Considering that the educational systems of past ages heavily supported the education of men intending to enter the priesthood (a fact which can be applied to the entirety of contemporaneous Europe), most readers of literary works and certainly the most educated readers belonged to the clergy. The Polish-Lithuanian Commonwealth was no different in that regard from the rest of Europe. The peculiarity of Polish Enlightenment lies in the forgotten fact that the period, stereotypically considered hyperrational, anticlerical and revolutionary, was initiated by the clergy, and that its key figures happened to be clergymen.
To start with those who contributed to the development of the Enlightenment’s philosophy, it’s worth remembering the Piarist Stanisław Konarski and the Jesuit Franciszek Bohomulec. It’s impossible not to mention Ignacy Krasicki, who became the Bishop of Warmia and then the Archbishop of Gniezno, or Adam Naruszewicz – the Bishop of Smoleńsk, then of Łuck. The galaxy of contemporaneous Catholic clergymen involved in popularising the Enlightenment doesn’t end with them, though. It also includes, for instance, Hugo Kołłątaj (a coadjutor and successor of a diocesan bishop), Franciszek Zabłocki (who achieved the position of a parish priest), Grzegorz Piramowicz (a Jesuit preacher) and Franciszek Salezy Jezierski (the cathedral preacher of Kraków).
Admittedly, it’s impossible to say much about these writers’ involvement in the life of the Roman Catholic Church on the basis of their clerical titles only. After all, ecclesiastical dress presented no obstacle for some of them to join Freemason lodges or to endorse catchwords of the French Revolution which directly attacked the hierarchical structure of the Church. However, solicitude for the local Catholic tradition remained the dominant cultural mode of the Polish Enlightenment, also within the circles now described as reformatory. The proof of that is constituted by the most important document of the period and the testament of its key values: the Constitution of 3rd May 1791.
Remembering the Catholic character of Polish Enlightenment, it’s easier to understand why the initial words of the reformatory and progressive Constitution were: ‘In the name of God, one in the Holy Trinity’, followed by Article I, ‘The National Dominant Religion’: