Museums have also increasingly been employing provisions for visitors with disabilities as a priority in recent years, with many of the country’s best known museums taking steps to become more accessible.
Among them, the POLIN Museum of the History of Polish Jews in Warsaw has been one of those leading the way in its multi-year commitment to putting solutions in place for a wide spectrum of disabilities including disabilities of movement, sight, hearing, learning difficulties and autism, finding new ways to better serve disabled visitors’ needs and proactively engaging these visitors by researching and listening to their needs and working alongside NGOs active on their behalf.
In March 2014, Poland’s first national conference to discuss how to improve access to museums for disabled people was held at POLIN (at the time called the Museum of the History of Polish Jews) with the participation of museum representatives from around Poland who presented and discussed practical solutions to the issue. Since then, many improvements have been made.
According to data collected by Poland’s Central Statistical Office (GUS) for 2010, at that time only a third of museums in Poland had been adapted for people on wheelchairs and only 11% of museums had provisions for the blind and visually impaired. But this had substantially risen by 2018, when the Museum Statistics Survey carried out by the National Institute of Museology and Protection of Archives on around a quarter of Poland’s museums, found that 47% of museums had some of their buildings adapted for disabled visitors.
Of this 47%, 85% had adapted the front of the building for disabled access and almost 80% had disabled toilets. On the other hand 55% of all museums surveyed said they had adapted exhibition spaces for those with disabilities and of this number 62% had adapted at least some of them.
An example of one of the more innovative results of POLIN’s improvements for visitors with disabilities has been the museum’s production of an innovative set of multisensory typhlographic boards to enable visually-impaired visitors to better ‘see’ an exhibition. Typhlography is a special printing technique or the adaptation of a real picture in 3D form to help those who cannot see with their eyes to see by touch.
After consultation with visually-impaired visitors at past exhibitions, the museum found that traditional typhlographics were inadequate as they were hard to read and understand, and didn’t allow the user to recreate more metaphorical pictures in their imagination.
The typhlographic boards used at POLIN’s temporary exhibition Such A Landscape, which displayed paintings by Wilhelm Sasnal, were therefore specially designed with multiple layers and from multiple materials like wood, sand and pieces of cloth to stimulate the imagination and allow visitors to better understand the presented works by ‘feeling’ the strokes of a paintbrush, the temperature of a particular colour, and the feelings and emotions contained within the image.
Seeking to bring itself closer to visitors with disabilities in its quest to be an ‘open museum’, POLIN also organises regular workshops and events for people with disabilities. One of these is a concert for children with autism which is friendly to the senses, with a specially-selected musical repertoire in which the pitch, loudness and tone is maintained at the appropriate level in an environment with limited lighting effects and adapted to children with a heightened sensory stimulation threshold.
In 2021, the sensory concert received a distinction in the music category from the jury of the Słoneczniki competition in which parents and carers of Warsaw vote on the best developmental initiatives for children.
Most of Poland’s museums now offer at least some service and facilities for disabled visitors with more being updated all the time. Other services introduced by the National Museum of Warsaw, in addition to a typhlographic plan of the museum, were a quiet room for families and visitors with autism, induction loops, and electronic magnifying glasses to help those with weaker eye-sight to better see the details of paintings.
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