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Alina Szapocznikow, Multiple Portrait, 1967, in the collection of the Museum of Art in Łódź, image courtesy of the Museum of Art in Łódź

In Multiple Portrait (1967), Alina Szapocznikow engages in a subversive game with the classic bust theme, creating a very distant take on this traditional sculptural form.

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Although only a few of her pieces have survived the years, she remains one of the most distinguished female sculptors of the inter-war period.

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