Combining the roles of researcher, historian and curator, Goshka Macuga explores ways in which modern and contemporary art forms and museums have engaged evolving ideas of politics and community
For her first solo museum exhibition in the United States, the London-based Polish artist delves into the Walker's past, foregrounding the institution's early link to the lumber industry while considering the forest as a metaphor for American democracy and freedom.
Within a physical space of her own design - inspired by a rendering of a "town square" lounge proposed for the Walker's 2005 Herzog & de Meuron expansion - the artist has arranged elements from the institution's collections and archives against a monumental new tapestry. The woodland landscape depicted in the weaving is a tract of old-growth forest in northern Minnesota known as the Lost Forty, which survived logging due to a surveying error in 1882. Amid the gargantuan white pines,
Macuga has assembled a broad group of individuals related to her research, including artists connected to the Walker, its current and past directors, and Tea Party activists she photographed at a Tax Day rally last year outside the Minnesota State Capitol.
The exhibition's title derives from a 1941 Walker membership drive brochure that warned, "Remember France? It broke from within. That can happen here." In the context of World War II, the brochure argued that cultural venues provided a platform for shared civic discourse, protecting the country from "disunity and social revolution." Without proposing a remedy for today's polarized political climate, Macuga demonstrates art's ability to bind together disparate histories, economies, and ideologies in new, if unlikely, relationships.
Curators: Dieter Roelstraete (MuHKA), Peter Eleey (MoMA PS1)
Walker Art Center
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Source: e-flux, www.walkerart.org