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[{"title":"Polish Presence at Manifesta 16 Ruhr 2026 \u2013 Image Gallery","path":"\/en\/gallery\/polish-presence-at-manifesta-16-ruhr-2026-image-gallery","type":"gallery","field_introduction":"","field_summary":"From the end of June to the beginning of October 2026, Manifesta 16 Ruhr will take place across four cities in the Ruhr Area, Germany: Duisburg, Essen, Gelsenkirchen and Bochum, in 12 abandoned post-war church buildings spread across the Host Cities.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}}],"image_cover":"341008","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"28","field_duration":"","field_cover_img_caption":"At Manifesta 16 Ruhr, 21 June 2026, photo: Kuba Celej \/ IAM","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Timothy Snyder on Volhynia: Why History Must Not Become a Weapon","path":"\/en\/article\/timothy-snyder-on-volhynia-why-history-must-not-become-a-weapon","type":"article","field_introduction":"\u2018Now that eastern Ukraine has become a theatre of war, with Russian troops present, it is better to separate politics from history as far as the Volhynia massacre is concerned,\u2019 says Professor Timothy Snyder, a historian of Central and Eastern Europe at Yale University.","field_summary":"In this interview, historian Timothy Snyder argues that the Volhynia massacre must be discussed with historical honesty, mutual tact and awareness of the wider wartime context of Soviet and Nazi German occupations. Republished in 2026, his reflections remain strikingly relevant: at a time of Russia\u2019s full-scale war against Ukraine, Volhynia is not only a painful chapter in Polish-Ukrainian history, but also a memory vulnerable to political instrumentalisation.","topics_data":[{"tid":"59606","name":"#film","path":{"alias":"\/topic\/film","langcode":"en"}},{"tid":"59644","name":"#culture","path":{"alias":"\/topic\/culture","langcode":"en"}}],"image_cover":"235391","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Timothy Snyder, 2011, photo: Magda Starowieyska \/ Fotorzepa \/ Forum\r\n","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Sealed with a Kiss: 7 Polish Artworks Featuring Kisses","path":"\/en\/article\/sealed-with-a-kiss-7-polish-artworks-featuring-kisses","type":"article","field_introduction":"Blown from across a room, a peck on the cheek, a big old smooch on the mouth! Kisses can be playful and tender, friendly and passionate, delicate and bold. Explore how Polish artists have captured these sweet moments between loved ones and lovers.","field_summary":"Blown from across a room, a peck on the cheek, a big old smooch on the mouth! Kisses can be playful and tender, friendly and passionate, delicate and bold. Explore how Polish artists have captured these sweet moments between loved ones and lovers!","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}}],"image_cover":"340950","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"A kiss among the poppies","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Culture.pl\u2019s Monthly Cultural Round-up: June 2026","path":"\/en\/article\/culturepls-monthly-cultural-round-up-june-2026","type":"article","field_introduction":"Summer is officially here\u2026 Even too much of it, as June 2026 was the month when Poland saw (and felt) record-breaking 40\u00b0C weather. The heatwave was the talk of the town \u2013 it sparked discussions about climate change, the importance of trees in Polish cities, on whether we should start to install air conditioning in our apartments (which is still quite rare in Europe) and how to prepare for a stadium concert in extreme heat.","field_summary":"Summer is officially here\u2026 Even too much of it, as June 2026 was the month when Poland saw (and felt) record-breaking 40\u00b0C weather. The heatwave was the talk of the town \u2013 it sparked discussions about climate change, the importance of trees in Polish cities, on whether we should start to install air conditioning in our apartments (which is still quite rare in Europe) and how to prepare for a stadium concert in extreme heat.","topics_data":[{"tid":"59625","name":"#lifestyle \u0026 opinion","path":{"alias":"\/topic\/lifestyle-opinion","langcode":"en"}}],"image_cover":"340863","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Culture.pl\u2019s Monthly Cultural Round-up: June 2026","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Ukraine\u2019s Culture of Freedom: An Interview with Bogumi\u0142a Berdychowska","path":"\/en\/article\/ukraines-culture-of-freedom-an-interview-with-bogumila-berdychowska","type":"article","field_introduction":"What constitutes Ukrainian culture is the love of freedom, claims Bogumi\u0142a Berdychowska in conversation about Ukrainian intelligentsia, Ukrainian culture, and the truth of time. A Polish publicist specialising in Ukrainian history and Polish-Ukrainian relations, she coordinates the Ministry of Culture and National Heritage\u2019s Gaude Polonia Scholarship Programme dedicated to creators from Eastern-Central Europe, mainly from Belarus and Ukraine.","field_summary":"What defines Ukrainian culture \u2013 language, literature, history, or something deeper? In this urgent conversation, Bogumi\u0142a Berdychowska reflects on Ukrainian identity during Russia\u2019s war, the role of artists and intellectuals, the meaning of freedom, and Poland\u2019s extraordinary mobilisation in support of its eastern neighbour.","topics_data":[{"tid":"59624","name":"#heritage","path":{"alias":"\/topics\/heritage","langcode":"en"}}],"image_cover":"309518","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Bogumi\u0142a Berdychowska, 2010, photo: Piotr Gamdzyk \/ East News\r\n","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Accessible Poland: Redesigning Trains, Museums \u0026 Cities for the Disabled","path":"\/en\/article\/accessible-poland-redesigning-trains-museums-cities-for-the-disabled","type":"article","field_introduction":"Over the last few years, public spaces, including museums, but also stations and city centres all across Poland have been gradually implementing new solutions to transform them into more welcoming places for people with a range of disabilities. With the country continuing to make strides in its drive towards accessibility, Culture.pl takes a look at some of the changes.","field_summary":"Over the last few years, public spaces, including museums, but also stations and city centres all across Poland have been gradually implementing new solutions to transform them into more welcoming places for people with a range of disabilities. With the country continuing to make strides in its drive towards accessibility, Culture.pl takes a look at some of the changes.","topics_data":[{"tid":"59624","name":"#heritage","path":{"alias":"\/topics\/heritage","langcode":"en"}},{"tid":"59604","name":"#architecture","path":{"alias":"\/topic\/architecture","langcode":"en"}}],"image_cover":"338529","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"A woman in a motorized wheelchair and an orange jacket posing next to a red tram featuring a large portrait of a man in a blue suit.","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Why Magdalena Abakanowicz Refused to Be Decorative","path":"\/en\/article\/why-magdalena-abakanowicz-refused-to-be-decorative","type":"article","field_introduction":"Why did Magdalena Abakanowicz decide to distance herself from textile art? And could a\u0026nbsp;woman born before the Second World War, who was making a name for herself in the art world, really afford to be associated with any kind of \u2018softness\u2019?","field_summary":"Magdalena Abakanowicz became internationally famous through textiles, yet spent much of her career resisting the labels of weaver, woman artist and decorator. This article explores how she transformed herself into a sculptor, distanced herself from \u2018softness\u2019 and carefully shaped her own myth \u2013 revealing the pressures, contradictions and ambitions behind one of Poland\u2019s most powerful artistic careers.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}}],"image_cover":"334485","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"View from the exhibition \u2018Every Tangle of Thread and Rope\u2019 by Magdalena Abakanowicz, 2023, Tate Modern, London, photo: Aaron Chown\/PA Images\/Forum","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Wild Kingdom: The Animals of King Sigismund Augustus\u2019s Tapestries","path":"\/en\/article\/wild-kingdom-the-animals-of-king-sigismund-augustuss-tapestries","type":"article","field_introduction":"In 16th-century Europe, humanism, the opening up of new geographical horizons, the conquest of distant lands, a belief in the power of reason, and the self-awareness and dignity of the individual shaped the Renaissance people\u2019s attitude towards the world. This world appeared as a realm of boundless possibilities and great discoveries, including in the natural world, which surrounded a man as if at his fingertips, yet remained full of mysteries. Scholars and artists set out to explore these mysteries, in a sense, shoulder to shoulder.","field_summary":"Wawel\u2019s animal tapestries are far more than royal decoration. Woven in 16th-century Brussels for King Sigismund Augustus, these extraordinary verdures form one of Renaissance Europe\u2019s most ambitious visions of nature: part zoological atlas, part moral theatre, part enchanted forest. Filled with otters, leopards, boars, dragons, monkeys, exotic birds and symbolic beasts, they reveal a world in which science, myth, faith and power were still deeply intertwined.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}},{"tid":"59624","name":"#heritage","path":{"alias":"\/topics\/heritage","langcode":"en"}}],"image_cover":"313192","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Verdure \u2018The Fight of a Dragon with a Panther\u2019, (inv. No. 38), collection of the Wawel Royal Castle, photo: Tomasz \u015aliwi\u0144ski","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"I\u2019m Coming for Your Country! Polish Migrant Characters in Recent British Fiction","path":"\/en\/article\/im-coming-for-your-country-polish-migrant-characters-in-recent-british-fiction","type":"article","field_introduction":"Polish migrants have been arriving in Britain for centuries, and British writers have been imagining them almost as long. But the post-2004 wave produced something new: literary portraits of Polish men navigating an England that can\u2019t quite decide whether to welcome them or resent them.","field_summary":"Polish migrants have been arriving in Britain for centuries, and British writers have been imagining them almost as long. But the post-2004 wave produced something new: literary portraits of Polish men navigating an England that can\u2019t quite decide whether to welcome them or resent them.","topics_data":[{"tid":"59606","name":"#film","path":{"alias":"\/topic\/film","langcode":"en"}},{"tid":"59605","name":"#performing arts","path":{"alias":"\/topic\/performing-arts","langcode":"en"}}],"image_cover":"340208","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"A young bearded man and an older woman in a scarf stand in the dark with a torch, looking down at something just off-camera","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Selected Works by Zuza Goli\u0144ska \u2013 Image Gallery","path":"\/en\/gallery\/selected-works-by-zuza-golinska-image-gallery","type":"gallery","field_introduction":"","field_summary":"Zuza Goli\u0144ska is a sculptor, performance artist and installation artist. She is a graduate of the Academy of Fine Arts in Warsaw, where she studied in the Spatial Arts Studio under the supervision of Miros\u0142aw Ba\u0142ka. In her work, she explores the psychology of space and the influence of architecture and the public sphere on the individual in the era of late capitalism. Goli\u0144ska creates objects in which the distinction between aesthetic and functional form is blurred. She often uses recycled post-industrial materials in the production of her works.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}}],"image_cover":"328066","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"12","field_duration":"","field_cover_img_caption":"\u0027Dead End\u0027 by Zuza Goli\u0144ska, Delfina Foundation, photo: Tim Bowditch","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Aleksandra Waliszewska at the Benaki Museum in Athens \u2013 Image Gallery","path":"\/en\/gallery\/aleksandra-waliszewska-at-the-benaki-museum-in-athens-image-gallery","type":"gallery","field_introduction":"","field_summary":"Unfolding across two floors of the Benaki Museum, fifteen of Waliszewska\u2019s paintings are placed in charged iconographic tension with objects spanning Neolithic Greece, Classical Antiquity, the Byzantine world, and the modern Greek era. The exhibition pays homage to Greece as the birthplace of figurative, narrative art and as a foundation of Western visual culture \u2013 while also tracing its enduring presence in the visual imagination today. Waliszewska\u2019s intense psychological tableaux manifest moments of \u201cirruption\u201d: the sudden, forceful entry of ancient visual tropes into the present.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}}],"image_cover":"340116","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"20","field_duration":"","field_cover_img_caption":"The \u0027Irruption of Antiquity\u0027 exhibition by Aleksandra Waliszewska at the Benaki Museum in Athens, photo: Weronika Pawlak \/ IAM","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Lessons in Humanity: How Britain Watched Andrzej Wajda","path":"\/en\/article\/lessons-in-humanity-how-britain-watched-andrzej-wajda","type":"article","field_introduction":"Andrzej Wajda arrived in Britain as a revelation. From Lindsay Anderson\u2019s early championing of his \u2018human\u2019 war films to later visions of him as a moral voice of Solidarity-era Poland, British critics repeatedly cast Wajda as a filmmaker who had something to teach them \u2013 even as their view remained partial, selective and shaped by ideas of what a \u2018Polish\u2019 director should be.","field_summary":"Andrzej Wajda arrived in Britain as a revelation. From Lindsay Anderson\u2019s early championing of his \u2018human\u2019 war films to later visions of him as a moral voice of Solidarity-era Poland, British critics repeatedly cast Wajda as a filmmaker who had something to teach them \u2013 even as their view remained partial, selective and shaped by ideas of what a \u2018Polish\u2019 director should be.","topics_data":[{"tid":"59606","name":"#film","path":{"alias":"\/topic\/film","langcode":"en"}}],"image_cover":"339708","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Andrzej Wajda \u0026 John Gielgud chatting on the set of \u0027The Orchestra Conductor\u0027, 1979, photo: Jerzy Ko\u015bnik \/ Forum","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Photography Is Not the Point: An Interview with Rafa\u0142 Milach","path":"\/en\/article\/photography-is-not-the-point-an-interview-with-rafal-milach","type":"article","field_introduction":"A young woman raps about Lukashenko\u2019s production plans, wins a presidential pen \u2013 then turns up on the protest barricades eight years later. For Magnum photographer Rafa\u0142 Milach, that about-turn unlocked something he\u2019d been circling for 15 years.","field_summary":"A young woman raps about Lukashenko\u2019s production plans, wins a presidential pen \u2013 then turns up on the protest barricades eight years later. For Magnum photographer Rafa\u0142 Milach, that about-turn unlocked something he\u2019d been circling for 15 years.","topics_data":[{"tid":"59611","name":"#photography","path":{"alias":"\/topic\/photography","langcode":"en"}}],"image_cover":"339998","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"\u2018Ksenia\u2019 by Rafa\u0142 Milach, from the series \u2018The Winners\u2019, photo: courtesy of the artist","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"How to Sell the Avant-Garde: Poland\u2019s Modernist Advertising Experiment","path":"\/en\/article\/how-to-sell-the-avant-garde-polands-modernist-advertising-experiment","type":"article","field_introduction":"Within the constructivist avant-garde movement, advertising was regarded as a bridge between art and the mass audience. Two poets and a painter decided to put this into practice. Rather than merely discussing advertising in the pages of avant-garde magazines, they set up an agency that combined modernism with marketing.","field_summary":"What happens when two poets and a painter decide that the avant-garde should not stay in galleries, but enter the world of chocolate wrappers, slogans and mass persuasion? This piece tells the strange, witty and short-lived story of Biuro Reklama-Mechano \u2013 the Polish modernist advertising agency that produced almost no campaigns, yet still secured a place in the history of graphic design.","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}},{"tid":"59609","name":"#language \u0026 literature","path":{"alias":"\/topic\/language-literature","langcode":"en"}}],"image_cover":"336254","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Tadeusz Lucjan Gronowski, \u2018Radion Washes on Its Own\u2019, 1926, poster, photo: Poster Museum in Wilan\u00f3w, a branch of the National Museum in Warsaw.","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""},{"title":"Irruption of Antiquity: The Benaki Museum \u0027Haunting\u0027 with Aleksandra Waliszewska","path":"\/en\/article\/irruption-of-antiquity-the-benaki-museum-haunting-with-aleksandra-waliszewska","type":"article","field_introduction":"\u0027Historical discourse is never \u201cborn.\u201d It always recommences. And let us observe this: art history the discipline which goes by that name \u2013 recommences each time.\u0027 \u2013 Georges Didi-Huberman","field_summary":"\u0027Historical discourse is never \u201cborn.\u201d It always recommences. And let us observe this: art history the discipline which goes by that name \u2013 recommences each time.\u0027 \u2013 Georges Didi-Huberman","topics_data":[{"tid":"59607","name":"#photography \u0026 visual arts","path":{"alias":"\/topic\/photography-visual-arts","langcode":"en"}},{"tid":"59637","name":"#visual arts","path":{"alias":"\/topic\/visual-arts","langcode":"en"}}],"image_cover":"339700","field_event_date":"","field_video_media":"","field_media_video_file":"","field_media_video_embed":"","field_gallery_pictures":"","field_duration":"","field_cover_img_caption":"Painting from the exhibition \u0027Irruption of Antiquity: Aleksandra Waliszewska\u0027 at the Benaki Museum, Athens, photo: press materials","field_artist_birth_death_date":"","field_artist_picture":"","field_frame":""}]
