After Sistars fell apart, Natalia – who has also performed as N'Talia, and is presently still referred to as Natu – launched her solo career. She spent some time in London, and upon returning recorded her own albums: the English-sung Maupka Comes Home (with the producer Envee), which received excellent reviews, and Gram Duszy. Following a longer break, she took a radical turn when in 2013 she released Kozmic Blues: Tribute To Janis Joplin, on which only one song was written by her. Now, her perfect performance skills were enhanced with some harsh emotions, previously only introduced when on stage. According to the promotional material in the album's booklet, coming across Janis Joplin's songs led her to address life’s difficult aspects in her works.
There was another side to this project, which she recounted in an interview for Wysokie Obcasy:
When I was singing the songs from my previous album [Kozmic Blues], all of which but one were written by Janis Joplin, I felt that that didn't really belong to me. That the applause after my concerts was also for her, that I had to face the ghosts.
That one song she wrote was co-created with Jurek Zagórski, a guitarist, and privately her brother-in-law – her husband's twin. She decided to create a whole album with him. However, prior to releasing Prąd (Current), Natalia and Jurek, together with Anna Parynek, playing on the percussion instruments, created Natalala. The band, announced as her most personal creation thus far, was a thread connecting the expressibe CD dedicated to Joplin, and the bluesy Prąd. The acoustic, ascetic songs which exposed the vivid interaction of voice and instruments were a true test for the artist. As well as for the compositions from Prąd, before they were revealed.
The album, which came out in the autumn 2014 – and was recorded at the time when Przybysz went into therapy – is filled with blues, rock, and even country references. The sharp guitar sounds and powerful, organic drums, could be compared to Neil Young or even The White Stripes. On the other hand, she introduced some covers of songs by Breakout with Mira Kubasińska or by Czesław Niemen, as well as straightforward blues lines in her lyrics. Przybysz managed to write her most brilliant lyrics so far. In an interview for Wysokie Obcasy, Saturday insert to Gazeta Wyborcza daily, she explained:
After the first few sessions I wrote Miód (Honey) – it is a song rooted entirely in questions. When one starts a therapy, a lot of doubts appear. We are completely shattered and resentful towards oir surroundings. I imagine I was difficult person to bear at the time. After one year, I wrote Niebo (Sky), and only then understood what I actually wanted to express in Miód. I managed to find some new answers. I understood that my tolerance issues do not originate in my surrounding, but within me.
In Nazywam Się Niebo (My Name is Sky), there is a phrase which goes: “How did I manage to forget about my breasts” (Jak to się stało, że zapomniałam o moich piersiach).” The singer explains that she has always been a tomboy and though she admired a lot of women around her, she never felt attracted to feminity. Królowa Śniegu (Snow Queen), on the other hand, is about the fact that she “was never able” to have a best girlfriend.