Modern Women’s Fund Committee currently consists of fourteen members – including the icons of American philanthropy, such as Marie-Josée Kravis (one of the Federal Reserve Bank of New York advisors and board member for Publicis S.A. and LVMH, considered one of top 25 philanthropists in US history – her and her husband were the main contributors to the Lincoln Center of Performing Arts in New York) or Agnes Gund (American philanthropist and advocate for cultural education – she is an advisor to President Barack Obama and board member for such institutions as the J. Paul Getty Trust and Frick Collection). The Committee members are obliged to provide input in the programme planning as well as to regular donations to the Museum's collection.
New York's Museum of Modern Art is one of the world's first and most important institutions entirely devoted to modern and contemporary art. It was founded as a private initiative of Abby Aldrich Rockefeller and two of her friends, who launched the Museum on 7th November, 1929. Nowadays, MoMA, located in the vicinity of Manhattan's landmarks: the Rockefeller Center and Times Square, is the world's leading modern art institution. It holds the largest and most comprehensive collection of contemporary painting and sculpture, spanning works from the end of 19th century to the most recent years. The Museum's collection also incorporates drawings, graphic arts, illustrations, architectural models, modern design, photography, and film. MoMA's fundamental mission is to celebrate the impact of the creators – their ideas, personalities, genius, as well as the contexts for their works (historical, geographical, cultural, and social). This idea motivated the foundation of one of the Museum's programme committees: Modern Women’s Fund Committee.
Today, Grażyna Kulczyk's collection comprises over five hundred works, which makes it the largest private collection in Poland, and one of the most important ones in that part of Europe. It is estimated to be worth up to one hundred million euro. Its core narrative is structured around the dialogue between Polish artists of the 20th and 21st centuries, and authors and art currents from all over the world. Artists such as Władysław Strzemiński, Zofia Kulik, Tadeusz Kantor, Roman Opałka, Paweł Althamer and Piotr Uklański are presented right next to the biggest international names. A few years ago, Kulczyk started shifting the character of her GK Collection in a more international direction, adding to it photographs by Andreas Gursky, paintings by Sam Francis, Joan Mitchell, and Anselm Kiefer, works by the notable female artists Yayoi Kusama and Rosemarie Trockel, works by the minimalists: Donald Judd, Sol LeWitt, and Agnes Martin, or by the ZERO art group members: – Heinz Mack, Otto Piene, Güther Uecker, and installations by Loris Gréaud and Olafur Eliasson.
It is important to note that the GK Collection is just one of the elements of the collector's general mission, according to which she only invests in projects that balance business and art. Prototypical and best example of this 50-50 ideology is Stary Browar (Old Brewery) – a commercial and cultural space in Poznań which in 2004 became the site of her private gallery and the Art Stations Foundation, aimed at organizing exhibitions based on her collection, performances, and concerts, as well as realizing educational programmes and promoting contemporary art in everyday surroundings.