Content anchor

The National Museum in Warsaw

Where: 

Aleje Jerozolimskie 3
Warszawa, Poland

Brak przypisanych miejsc.

Opening hours: Closed Mondays and days following public holidays; open Tuesdays, Wednesdays, Fridays, Saturdays, Sundays 10am-4pm; Thursdays 10am-6pm.
Due to renovation works held between June 17 and August 31, 2003, most of National Museum's exhibitions are closed to the public. The only galleries to be visited are as follows: The Professor Kazimierz Michalowski Faras Gallery, The Gallery of Ancient Art, The Gallery of Medieval Art.

 Housed in a purpose-built modernistic edifice designed by Tadeusz Tolwinski and constructed in 1927-38, the National Museum of Warsaw traces back its origins to 1862, when the Law on Public Education in the Polish Kingdom established a Fine Arts Museum in Warsaw. Transformed into a National Museum in 1916, it was officially opened in the current premises in 1938, only to be closed to the public by the occupation's authorities just a year later, following the severe damage sustained during the bombardments of 1939. During the war Professor Stanislaw Lorenz, the Museum's Director since 1935, and a group of employees conducted a clandestine operation to secure the Museum's works of art as well as other public and private collections brought there. After the Warsaw Rising of 1944 capitulated, Professor Lorenz directed an unprecedented effort to save the exhibits left in the deserted and ruined Warsaw, managing to evacuate a number of valuable works of art and saving the Museum's building from being blown up. The National Museum was one of Warsaw's first public institutions to have opened after World War II. It was as early as in May 1945 that the first exhibition, entitled "Warsaw Accuses", was mounted.

 The Museum's holdings originated from a collection of paintings and drawings presented by the Library of the Government and the School of Fine Arts in 1864 as well as from the sculptures and plaster casts from the collection of King Stanislaw August and of the Warsaw Society of Friends of the Sciences.

 Over time the holdings grew through purchases and gifts, and nowadays the Museum boasts masterpieces of Polish and foreign painting, sculpture, decorative arts and numismatics spanning ancient and modern times, and preserved in designated departments and galleries.

 The Gallery of Ancient Art has Poland's largest collection of ancient art. Egyptian art is represented by exhibits from Polish and French excavations at Edfu and Deir el Medina, notably steles from Edfu dating from the 2nd Interim Period, and Louvre deposits including the statue of Sahmet and Amon. Of note is also a collection of Mesopotamian seals as well as Eastern Europe's largest collection of Greek vases, including the famous vases that the Czartoryski family kept at their Goluchow residence, with the sixth-century vase with the oldest image of the poetess Sappho and an amphora decorated by the painter Euthymides. Ancient Greece and Rome are also represented by a set of Greek terra cottas and Cypriot vessels, while Ancient East features three extremely interesting Assyrian reliefs and Luristan bronze items.

 The Professor Kazimierz Michalowski Faras Gallery boasts a group of exhibits brought from Sudan by the Polish archeological mission which took part in UNESCO's international Nubian artifacts salvaging action in 1960-4. The Gallery's collection of the eighth to fourteenth century wall paintings from the Faras cathedral in Sudan is world-unique, the only other one kept at Khartoum. Dating from the eighth to the fourteenth century, these paintings represent divine personages and saints as well as Nubian clerical and secular dignitaries. On display are also the cathedral's architectural details, inscriptions, a group of clay vessels from Faras and Old Dongola as well as a collection of textiles and crosses from Ethiopia and the Carpathians.

 The Poland's Primate Cardinal Stefan Wyszynski Gallery of Medieval Art preserves Gothic exhibits from all historical regions of Poland. Of special note is the Zasniecie / St Mary's Assumption i koronacja Marii / St Mary's Coronation and polyptych from the Grudziadz castle chapel dating from ca. 1390; the PiÉta z Lubiaza / Lubiaz PiÉta (ca. 1370). the St Barbara polyptych from Wroclaw (ca. 1447); the sculpture of Piekna Madonna / Beautiful Madonna from Wroclaw (1410); the celebrated painting of PiÉta z Tubadzina / PiÉta from Tubadzin (1450); the Olatrz swietych dziewic z Nysy / Altar of Holy Virgins from Nysa (after 1510); and the Renaissance triptych of the Legenda swietego Stanislawa / Legend of St Stanislaw (1515).

 The Gallery of Foreign Painting, one of Poland's most numerous and coherent collections of European art, presents the main trends and stylistic schools. Its holdings of Italian and French painting from the fourteenth to the eighteenth century are particularly noted for Sandro Boticelli's Madonna z Dzieciatkiem, sw. Janem i aniolem / Madonna with Child, St John and Angel. Venetian painting includes such masterpieces as the Portret admirala / Portrait of an Admiral by Jacopo Tintoretto, Baroque mythological and biblical canvases, portraits, decorative still lifes and landscapes, including the Venice-specific cityscapes. The eighteenth-century French paintings include works by Watteau. There are also Netherlandish and German paintings from the fifteenth and sixteenth centuries as well as Dutch and Flemish paintings from the seventeenth century, with a few works by Cranach, Pieter Aertsen's precious Czyny milosierdzia chrzescijanskiego / Deeds of Christian Charity, the portrait of M. Soolmans signed by Rembrandt, a group of paintings by Rembrandt's students, including the important Wskrzeszenie Lazarza / Raising of Lazarus by Fabricius, as well as the Madonna z Dzieciatkiem / Madonna with Child from the workshop of Rubens and the Swieta Rodzina ze sw. Janem, jego rodzicami i aniolami / Holy Family with St John, His Parents and Angels by Jacob Jordaens. The Gallery also boasts a variety of court, burghers' and group portraits, architectural canvases, still lifes, landscapes (notably by Salomon Ruysdael), and Jan Steen's genre paintings. The Gallery's holdings of nineteenth-century painting are particularly noted for the collection of works by Paul Serusier, purchased from the writer Gabriela Zapolska.

 The Gallery of Polish Painting, particularly strong in the nineteenth-century art, presents stylistic changes that Polish painting underwent from the sixteenth century to World War I. There are anonymous paintings dating from the sixteenth to the first half of the eighteenth century, with formal portraits from the former familial galleries of ancestors, a group of Sarmatian coffin effigies and portraits of the Vasa court members. Battle scenes include the unique Bitwa pod Orsza / Battle of Orsza painting from the sixteenth century. The Age of Enlightenment is represented by works created under the patronage of King Stanislaw August and the aristocracy, such as the portraits of the King and eminent court personages by Baciarelli and Lampi, decorative paintings by Norblin, and cityscapes by Bernardo Belotto called Canaletto. Classicist paintings include a number of works by Antoni Brodowski, and there are a number of miniature paintings dating from the late eighteenth and early nineteenth centuries. Romantic paintings include portraits and battle scenes by Piotr Michalowski, works by January Suchodolski, historical and genre scenes by Artur Grottger, canvases by Jozef Simmler, with the famous Smierc Barbary Radziwillowny / Death of Barbara Radziwillowna, and portraits by Henryk Rodakowski. Realistic painting is represented by cityscapes and interiors by Marcin Zaleski, genre scenes by Franciszek Kostrzewski, and works by Jozef Szermentowski, the latter rooted in the tradition of French painting. Historical paintings are particularly noted for the monumental canvases by Jan Matejko, with his Bitwa pod Grunwaldem / Battle of Grunwald, and for the works by Wojciech Gerson. The "Munich circle" is represented by works by Jozef Brandt, Maksymilian Gierymski, Adam Chmielowski, Julian Falat, Jozef Chelmonski and Aleksander Gierymski. There are impressionistic and symbolic paintings by Wladyslaw Podkowinski, Jozef Pankiewicz and Leon Wyczolkowski. The art of the Young Poland movement includes the Art Nouveau stained glass designs by Jozef Mehoffer, notably his Dziwny ogrod / Strange Garden, impressionistic and symbolic landscapes by Jan Stanislawski, paintings by Wladyslaw Slewinski, Poland's only representative of the French Pont-Aven school, and a collection of symbolic paintings by Jacek Malczewski. The paintings of the late nineteenth and early twentieth centuries include works by Stanislaw Wyspianski, Olga Boznanska and Witold Wojtkiewicz, the outstanding artists who escape clear-cut definitions.

 The Gallery of the Twentieth Century Polish Art includes works created from the start of the twentieth century to 1949 and representative of all key movements and trends in the art of that period. The Formists are represented by works by Andrzej and Zbigniew Pronaszko, T. Niesiolowski, R. K. Witkowski, S. I. Witkiewicz, L. Chwistek and T. Czyzewski. The inter-war avant garde (geometrical abstraction and constructivism) includes such names as K. Kobro, W. Strzeminski, H. Berlewi, H. Stazewski and M. Szczuka, while the Capists are represented by J. Cybis, J. Czapski, A. Nacht-Samborski, P. Potworowski and Z. Waliszewski. There are the surrealistic works by the Lvov-based "artes" group, including M. Wlodarski and J. Janisch, as well as paintings by the Wilno (Vilnius) and Warsaw based artists: L. Slendzinski, T. Pruszkowski, B. Cybis, J. Gotard and B. Linke, who take from the various traditions of figurative movements. The Cracow Group and its post-war continuators are represented by works by T. Brzozowski, T. Kantor, J. Nowosielski, M. Jarema and J. Stern. There are a number of paintings by Poles active in France and connected with the École de Paris, such as M. Kisling, E. Zak, R. Kramsztyk, T. Lempicka and Z. Menkes, and by individualists such as T. Makowski, H. Kuna, J. Szczepkowski, Z. Stryjenska and S. Szukalski.

 The Department of Polish Prints and Drawings has holdings of works ranging in date from the sixteenth to the early twentieth century and including collections of royal portraits by R. de Hooghe, E. Sadeler, W. Hondius, J. Falck and others, of portraits of Polish celebrities, notably by M. Fajans and J. P. Piwarski, Polish cityscapes, and numerous drawings by J. P. Norblin, M. Plonski, D. Chodowiecki, S. Czechowicz, J. B. Plersch, A. Orlowski, Z. Fogel, M. Bacciarelli, B. Bellotto-Canaletto, W. Wojtkiewicz and S. Wyspianski. There is a collection of albums and sketch-books by W. Gerson, J. Malczewski and P. Michalowski, a comprehensive collection of watercolours by P. Michalowski, J. Kossak, J. Falat, A. Kedzierski, S. Maslowski and S. Noakowski, and a set of architectural designs and drawings from the sixteenth to the twentieth century. The Department of the Twentieth Century Polish Prints and Drawings preserves works by W. Strzeminski, S. I. Witkiewicz, B. W. Linke, K. Hiller, F. Themerson and H. Stazewski.

 Foreign prints and drawings are represented by a collection of drawings of the following provenances: German (A. Durer), Netherlandish (P. Brueghel the Elder), Flemish (P. P. Rubens), Dutch (Rembrandt), French (F. Boucher, P. Cezanne, H. Matisse), Italian (Piranesi), and Spanish (Goya). There are also works by modern artists, notably A. Archipenko, M. Chagall, P. Klee, F. Leger, J. Miro, A. Modigliani and P. Picasso.

 The Gallery of Polish Decorative Arts preserves particularly valuable exhibits ranging in date from the sixteenth to the early twentieth century. Alongside artifacts made by goldsmiths from Gdansk, Warsaw and other centers, the exhibition shows embroideries, tapestries, waist scarves and other garments, as well as eighteenth-century glass from the works of Naliboki, Urzecze and Lubaczow, faience from the Belvedere manufacture, porcelain made in Korzec and Baranowka, decorative ceramics from the late nineteenth and early twentieth centuries, clocks, and furniture, including an 1840 plated table by Fraget.

 The Leopold Kronenberg Silver Room, created to commemorate the distinguished economist and politician, contains mostly silver tableware made by Warsaw's best artisans, such as Karol Malcz, Ludwik I and Ludwik II Nast, Karol Lilpop, Jan Maciej Schwartz, Tomasz Klimaszewski, Emil Radtke, and Jozef Fraget. There are also silver items from other silver-making centers of Poland within its present-day and pre-war boundaries, including Cracow, Kielce, Lublin, Wilno, Grodno and Kalisz, as well as from lesser-known workshops of Lomza, Checiny and other towns. The exhibition includes also the judaica.

 The Gallery of European Decorative Arts displays exhibits ranging in date from the Middle Ages to the nineteenth century, and including specimens of medieval Limousin enamels, Italian majolica, Rhine stoneware, sixteenth-century painting enamel, items made by German goldsmiths of Augsburg and Nuremberg, seventeenth and eighteenth-century clocks, porcelain from the most important and creative manufactures, notably those in Meissen, Berlin, Vienna and Sevres, as well as Czech, Silesian, Dresden and Potsdam glass, and furniture.

 The National Museum of Warsaw also collects the art of Asia, and has comprehensive collections of Chinese porcelain: blue and white of the Yuing, Ming and Qung dynasties, Japanese woodcuts from the seventeenth to the nineteenth century and decorative arts, textiles from the Near East, Muslim and Hindu manuscripts, Hindu and Lamaist bronze exhibits dating from the nineteenth century onwards.

 The holdings of modern design boast a unique collection of applied art of the 1940s, including glass and furniture by J. Kurzatkowski, textiles by S. and A. Milwicz, K. Szczepanowska and W. Strzeminski, ceramics by A. Kenar and his students, jewellery by H. Grunwald and the Zaremskis, and wickerwork by W. Wolkowski.

 The Numismatics Room contains Poland's largest and most representative holdings of Greek electron coins, Greek coins from the Black Sea coast, Roman coins from the early Republic period, coins of the Piast dynasty period, as well as coins dating from contemporary times.

 The iconographic documentation preserved by the Museum is related to Polish and foreign culture. Among the strengths of the collection is the fourteenth-century Libri Prophetarum parchment, Jan Januszowski's and Marcello Baciarelli ennoblement papers from 1588 and 1771 respectively, letters written by S. Wyspianski in 1890-6, photographs by K. Beyer (1818-77) and J. Bulhak (1876-1950).


Muzeum Narodowe w Warszawie
Aleje Jerozolimskie 3
00-495 Warszawa
Region: mazowieckie
Phone: (+48 22) 621 10 31, 629 30 93
Fax: (+48 22) 622 85 59
WWW: www.mnw.art.pl
Email: [email protected]

Current events

Facebook Twitter Reddit Share

Did you like our article? English newsletter here

Sign up for newsletter

  • 0 subscribers
  • In accordance with the law from August 29, 1997, relating to the protection of personal data (consolidated text, Journal of Laws, 2002, no. 101, Item 926), I am hereby giving my formal consent to the Adam Mickiewicz Institute, located at 25 Mokotowska Street in Warsaw (00-560), to process my personal data.

  • Email Marketingby GetResponse
See also:
The most famous Polish reporter Ryszard Kapuściński, photo: Aleksander Jałosinski / Forum

Poland has a long tradition of non-fiction writing referred to as reportage or, as it is also called, literary reportage. Here’s our list of the best Polish non-fiction books translated into English (plus one which is not yet translated but, we think, it should be). Read more »

Still from the film Pan Tadeusz by Andrzej Wajda, 1998, photo: Piotr Bujnowicz/ FabrykaObrazu.com / Forum

Once a favourite among the gentry, the Polonaise has a long and fascinating history, and it is still an indispensable ritual of the studniówka, a ball for graduating high school students. Read more »

A cover of Henryk Sienkiewicz’s Sir Michael, photo: Greg

‘For the strengthening of hearts’ – in those closing words of the third part of The Trilogy Sienkiewicz defines the idea that accompanied the whole historical cycle. At first, the reader gets to know Sir Michael – the first sabre of the First Commonwealth.Read more »

Jean Michel Jarre, photo: Arkadiusz Wojtasiewicz / Forum

Living legend of electronic music Jean Michel Jarre is to co-create a show for the Multimedia Fountain Park in Warsaw. Read more »

Still from No End, dir.: Krzysztof Kieślowski, 1984, in the photograph: Grażyna Szapołowska and Jerzy Radziwiłowicz, photo: Studio Filmowe Tor /Filmoteka Narodowa/www.fototeka.fn.org.pl

Krzysztof Kieślowski’s 1984 film. At the time of its premiere the film was criticized by all sides: the communist authorities of Poland blamed the director for antisocialist diversion, the opposition considered the film to be ordered by the authorities, whereas the Catholic Church criticized the antichristian ending.Read more »

The Sixteen, Helper and Protector, the cover of the album, photo: Anna Stowe Travel / Alamy

Italian influences in Polish architecture and the cuisine of the 16th and 17th century are well-known to the average audience member through a shared education. However, one can get the impression that the time between the beginning of the Polish state up to the era of Chopin was a mute period.Read more »

Robert Rumas, Urban Manoeuvers, 2000, Public Relations CSW Łaźnia in Gdańsk. Selected pictograms: The Homeless, No Benches, Baldies - Fans, photo: courtesy of the artist / http://www.robertrumas.pl/pliki/start-en.html

Urban Manoeuvers is about working in urban public spaces with the aim of bringing to attention the social specificity of particular cities. To achieve this purpose the artist places illegal road signs around the chosen cities.Read more »

Still from the film Call Me Marianna, dir. Karolina Bielawska, photo: KFF promotional materials

Karolina Bielwaska’s documentary has won an award at the 19th Full Frame Documentary Film Festival in the USA. The Polish artist received a Charles E. Guggenheim Emerging Artist Award given to the best director for a debuting feature-length documentary. Read more »